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'Birthday Song' borrows Wayne's love of dumb bluntness for the great 'She got a big booty, so I call her 'Big Booty',' while 'Extremely Blessed' offers both 'Our first date was the Waffle House' and 'If you a chicken head, go and lay some eggs' which producer The-Dream coats in polished R&B for a track that's quite velvety and Ludacris.

Prime example is the opening 'Yuck!,' a high-powered Streetrunner production with Lil Wayne getting in the distasteful spirit of the album (warning: he's searching through his black book for a girlfriend who's not experiencing 'the monthlies') while Chainz places his second favorite product when Similac gets another mention, once again thanks to the rapper's skill at baby making. Story is a fine payoff, coming off as trendy as those jeans Chainz keeps repping, but still quirky enough to stick to the ribs. This devil-may-care style that's right in line with the flash-flavoring landscape of 2012, was refined over mixtapes, street releases, and guest spots, all of it smart preparation for this official debut.

If there's a reason to cheer for 2 Chainz, it's that the limited but now loveable rapper lifted himself out of a dead-end group (the Sporty Thievz-like Playaz Circle), dropped his awful name (who wants to say they're the world's biggest Tity Boy fan?), and reinvented himself as a welcome character somewhere between the syrup-sipping Pluto and the slang-slinging Pootie Tang, all while rocking True Religion everything (and if the clothing company didn't pay for all this album's product placement, they should send Chainz a box of swag immediately).

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